Maritime

Tibetan opera

© Song&Dance Troupe in Tibet Autonomous Region of P.R. of China

Tibetan opera, the most popular traditional opera of minority ethnic groups in China, is a comprehensive art combining folk song, dance, storytelling, chant, acrobatics and religious performance.

Taekkyeon, a traditional Korean martial art

© Cultural Heritage Administration

Taekkyeon is a traditional Korean martial art that makes use of fluid, rhythmic dance-like movements to strike or trip up an opponent. The graceful movements of a well-trained Taekkyeon performer are gentle and circular rather than straight and rigid, but can explode with enormous flexibility and strength. The feet play as important a role as the hands.

Strategy for training coming generations of Fujian puppetry practitioners

© Fujian Provincial Intangible Cultural Heritage Safeguarding Center

Fujian puppetry is a Chinese performing art consisting mainly of string and hand puppetry. Puppetry in Fujian Province in south-eastern China has developed a set of characteristic techniques of performance and crafting puppets, as well as a repertoire of plays and music. Since the 1980s, however, the number of young people learning puppetry has diminished due to socioeconomic changes transforming their lifestyles on the one hand, and the long period of training required to master the sophisticated performing techniques on the other.

Space of gong culture

© Institute of Culture and Information / Duong Thanh Giang

The cultural space of the gongs in the central highlands of Vietnam covers several provinces and seventeen Austro-Asian and Austronesian ethno-linguistic communities. Closely linked to daily life and the cycle of the seasons, their belief systems form a mystical world where the gongs produce a privileged language between men, divinities and the supernatural world.

Sericulture and silk craftsmanship of China

© China National Silk Museum

Sericulture and silk craftsmanship of China, based in Zhejiang and Jiangsu Provinces near Shanghai, have an ancient history. Traditionally an important role for women in the economy of rural regions, silk-making encompasses planting mulberry, raising silkworms, unreeling silk, making thread, and designing and weaving fabric. It has been handed down within families and through apprenticeship, with techniques often spreading within local groups. The life cycle of the silkworm was seen as representing the life, death and rebirth of human beings.

Sekishu-Banshi, papermaking in the Iwami region of Shimane Prefecture

© Sekishu-Banshi Craftsmen’s Association

The unique techniques of Sekishu-Banshi papermaking create the strongest paper produced in Japan. Sekishu-Banshi has long been made in the Iwami region of Shimane Prefecture in western Japan, originally as a side business for local farmers.

Sbek Thom, Khmer shadow theatre

© National Museum of Cambodia

The Sbek Thom is a Khmer shadow theatre featuring twometre high, non-articulated puppets made of leather openwork. Dating from before the Angkorian period, the Sbek Thom, along with the Royal Ballet and mask theatre, is considered sacred.

Sankirtana, ritual singing, drumming and dancing of Manipur

© 2009 by Sangeet Natak Akademi

Sankirtana encompasses an array of arts performed to mark religious occasions and various stages in the life of the Vaishnava people of the Manipur plains. Sankirtana practices centre on the temple, where performers narrate the lives and deeds of Krishna through song and dance. In a typical performance, two drummers and about ten singer-dancers perform in a hall or domestic courtyard encircled by seated devotees.

Saman dance

© Centre for Research and Development of Culture, Indonesia

The Saman dance is part of the cultural heritage of the Gayo people of Aceh province in Sumatra. Boys and young men perform the Saman sitting on their heels or kneeling in tight rows. Each wears a black costume embroidered with colourful Gayo motifs symbolizing nature and noble values.

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