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Ritual dramatic art of Ta‘zīye

© Iranian Dramatic Art Center

Ta‘zīye (or Ta’azyeh) is a ritual dramatic art that recounts religious events, historical and mythical stories and folk tales. Each performance has four elements: poetry, music, song and motion.

Regong arts

© Qinghai Regong Art Society of China

In monasteries and villages along the Longwu River basin in Qinghai Province in western China, Buddhist monks and folk artists of the Tibetan and Tu ethnicity carry on the plastic arts of painting 

Ramman, religious festival and ritual theatre of the Garhwal Himalayas, India

© IGNCA, Ministry of Culture

Every year in late April, the twin villages of Saloor-Dungra in the state of Uttarakhand (northern India) are marked by Ramman, a religious festival in honour of the tutelary god, Bhumiyal Devta, a local divinity whose temple houses most of the festivities. This event is made up of highly complex rituals: the recitation of a version of the epic of Rama and various legends, and the performance of songs and masked dances. The festival is organized by villagers, and each caste and occupational group has a distinct role.

Radif of Iranian music

© House of Music

The Radif of Iranian music is the traditional repertoire of the classical music of Iran that forms the essence of Persian musical culture. More than 250 melodic units, called gushe, are arranged into cycles, with an underlying modal layer providing the backdrop against which a variety of melodic motifs are set.

Qiang New Year festival

© Wan Yuchuan

The Qiang New Year Festival, held on the first day of the tenth lunar month, is an occasion for the Qiang people of China’s Sichuan Province to offer thanks and worship to heaven for prosperity, reaffirm their harmonious and respectful relationship with nature, and promote social and family har

Qālišuyān rituals of Mašhad-e Ardehāl in Kāšān

© Research Center of ICHHTO

Qālišuyān rituals are practised in Iran to honour the memory of Soltān Ali, a holy figure among the people of Kāšān and Fin. According to legend, he was martyred, and his body found and carried in a carpet to a stream, where it was washed and buried by the people of Fin and Xāve.

Peking opera

© Zhao Yiping / Beijing Bureau of Culture

Peking opera is a performance art incorporating singing, reciting, acting, martial arts. Although widely practised throughout China, its performance centres on Beijing, Tianjin and Shanghai.

Pahlevani and Zoorkhanei rituals

© Iranian Cultural Heritage, Handicrafts and Tourism Organization

Pahlevani is an Iranian martial art that combines elements of Islam, Gnosticism and ancient Persian beliefs. It describes a ritual collection of gymnastic and callisthenic movements performed by ten to twenty men, each wielding instruments symbolizing ancient weapons. The ritual takes place in a Zoorkhane, a sacred domed structure with an octagonal sunken arena and audience seats. TheMorshed (master) who leads the Pahlevani ritual performs epic and Gnostic poems and beats out time on a zarb goblet drum.

Olonkho, Yakut heroic epos

© National Committee on UNESCO affairs of the Sakha Republic (Yakutia)

One of the oldest epic arts of the Turkic peoples, the termOlonkho refers to the entire Yakut epic tradition as well as its central epic.Today, it is still incidentally performed in the Sakha Republic, situated in the far east of the Russian Federation.

Nawruz

© Ministry of Culture, and Academy of Science of Tajikistan

Novruz, Nowrouz, Nooruz, Navruz, Nauroz or Nevruz marks the New Year and the beginning of spring across a vast geographical area covering, inter alia, Azerbaijan, India, Iran, Kyrgyzstan, Pakistan, Turkey and Uzbekistan. It is celebrated on 21 March every year, a date originally determined by astronomical calculations. Novruz is associated with various local traditions, such as the evocation of Jamshid, a mythological king of Iran, and numerous tales and legends.

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