Kyongju, the capital city of the Silla dynasty, was slow to be influenced by foreign elements arriving from the northwest owing to its situation on the peninsula. This meant that Silla was able to assimilate foreign influences that arrived via the Silk Roads slowly rather than accepting them directly and indiscriminately. After unification on the peninsula, Silla became increasingly exposed to external influences.

Over time, the overland Silk Road and the maritime ‘Spice Road’ both played important roles in the transfer and enrichment of art forms in the regions through they traversed and connected. The development of Buddhist art provides clear evidence of the development of Asian art during this time. Buddhist art started in India and was modified in Central Asia and the Southeast Asian regions.

It is no coincidence that Venice is emblematic of the profound enrichment, interweaving and diversity of cultures, science, philosophies, religions and art that The Silk Route wove together along its course. Other silk routes acted as arteries for change too, including an overland silk route that linked the Orient to the Occident. This route is famous for tales – whether true or false – of famous individuals, including Alexander the Great, Jesus Christ, Marco Polo, travelling on it to spread their influence.

200 miles north of Karachi lie the remains of the ancient city of Mohenjo-daro, one of the most striking monuments from the dawn of civilisation. Populated from 2500 – 1500 BC, but then abandoned, it was only rediscovered in 1921. However, two serious problems face these magnificent ruins: they are being eroded by the Indus River, and they are being corroded by the salt being brought to the surface as the water table rises dramatically. In fact, since the construction of the Sukkur dam in 1932, the water table has risen by about 13 feet.

During the last 1,000 years, the vast and highly diverse area that stretches from the Mediterranean across to Sind in Pakistan has been an extraordinary melting pot of cultural and aesthetic diversity. Islam embraced this diversity and translated it into cultural dialogues, which the development of the silk routes facilitated.

The middle decades of the 16th century saw the revival of the spice trade routes through the Red Sea and the Gulf. It was also a time that Portugal built up its eastern empire with considerable speed, using their naval power to occupy strategic points and gain control of the Indian Ocean. Portugal was able to monopolise the stream of merchandise from Asia by blockading the entrance to the Red Sea and the Gulf and diverting supplies via the Cape of Good instead of via the Mediterranean.

In the 16^th and 17^th centuries, the city of Izmir played an important role in the as an international port, especially after its revival as a trading centre after Ottoman-Iran war of 1615-18, when it surpassed Aleppo in Syria. At this time, most silk came from Iran, but with supplies being disrupted by warring states, Izmir also offered was a more secure with the Ottamans investing in the port to make it an attractive proposition for traders.

For centuries, Chinese culture had a profound influence on the Turkish art creating a kind of cultural synthesis. Relations between China and Turkey were particularly strong after the defeat of the Monguls in the mid-8^th century AD, culminating in a peak in the 13^th century AD. This era coincided with the Ming dynasty in China and as a consequence, Chinese-influenced motifs and colours the from artworks appeared more and more on Anatolian Turkish art, both explicitly and subtly, with a range of styles, materials and objects.

Jewellery forms an integral part of Silk Road culture. Even marauding crusaders were seduced by the lure of and the quantity of jewellery not to mention silks, spices and perfumes that travelled along the various silk routes via the central Asian region, including Tibet, North India, Nepal, Bhutan and Myanmar, which became both a massive crossroads and meeting point. As the number of caravans transporting goods increased, so too did the amount of silk, precious stones, jewellery and other precious objects pouring into the region.

The cultural history of most countries in South and Southeast Asia was closely linked to trade and trade routes at some point. Evidence also indicates that many communities engaged in commercial activities from prehistoric times. Around the beginning of the Christian era, a great expansion of international trade occurred, which was due to the demand for exotic and luxury goods from both Rome and China.