South-East Asia is a region rich in cultural diversity and dynamic in its creativity. There is a great potential for the countries of the region to capitalize on their cultural resources and their dynamic young populations to gear toward the creative economy and fully realize the role of culture in achieving sustainable development.
Since 2008, the Republic of Korea has been strengthening cultural and creative sectors as engines for sustainable development in developing countries. The Korea Funds-in-Trust (KFIT) for the Development of Creative Industries supports the emergence of dynamic cultural and creative sectors by fostering an enabling environment for cultural entrepreneurship, creating networks and supporting policy design. Through its continued support, UNESCO and KFIT are shaping our common creative futures.
The COVID-19 pandemic and the crisis it created have had a devastating effect on the cultural and creative industries, revealing and magnifying their pre-existing volatility. Drawing on policies and measures adopted during the crisis, this practical guide highlights emergency measures that have been deemed effective and beneficial, assesses emerging trends, identifies new and existing gaps and offers practical advice to help policymakers position the cultural and creative industries in social and economic recovery plans.
Let's celebrate the IFCD!2020 marks the 10th anniversary of the International Fund for Cultural Diversity (IFCD).The IFCD is the Fund established by the Convention on the Protection and Promotion of the Diversity of Cultural Expressions and its goal is to invest in projects that lead to structural changes, demonstrating the value and opportunities that culture brings to sustainable development processes, in particular to economic growth and the promotion of a decent quality of life.
The Global Report series monitors the implementation of the 2005 Convention and provides new and valuable evidence to inform cultural policy making and advance creativity for development. The 2018 edition examines how the 2005 Convention has inspired policy change at the global and country level and puts forward a set of policy recommendations for the future, addressing the adaptation of cultural policies to rapid change in the digital environment, based on human rights and fundamental freedoms of expression.
The overall economic impact, social role and status of cultural professionals involved in the film industries of the Central Asian countries (Kazakhstan, Kyrgyzstan, Tajikistan and Uzbekistan) remain relatively understudied. However, the film industry is recognized as one of the oldest and most developed cultural and creative industries of the region since the mid-20th century. In this context, this publication assesses the film industries of Central Asia and concerned legislation.
This publication provides the basic texts of the 2005 Convention, including the Operational Guidelines, the Rules of Procedure of the Conference of Parties, the Rules of Procedure of the Intergovernmental Committee and the Financial Regulations of the Special Account for the International Fund for Cultural Diversity.
The 2005 Convention Monitoring Framework is a dynamic tool that informs policy making on creativity for development. It determines a set of expected results, indicators and means of verification to assess progress and challenges over time. In guiding the collection of data and information, it also provides evidence for the implementation of relevant United Nations 2030 Sustainable Development Goals.
The 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions calls for the establishment of sustainable systems of governance for culture that are based on informed, participatory and transparent policy processes. Since 2014, UNESCO has been running a capacity development programme on policy monitoring, supported by the Swedish International Development Cooperation Agency (Sida).
Through the Korea Funds-In-Trust (K-Fit) for the Development of Creative Industries, many developing countries have been supported in their efforts to invest in new contemporary creative areas, such as film and visual arts. It has also brought a new impetus to networking and regional cooperation opportunities, marked by the organization, in June 2018, of a landmark meeting of professionals and public officials to discuss the future of cultural policy in the Asia‑Pacific region.